Customer Reviews: Read 17 more reviews...
 Shades of the new August 31, 2008
dukesdenver
I can take or leave These Old Shades but Devil's Cub easily makes it into my top 5 Heyer novels. Dominic is the ultimate bad boy hero who just needs the love of a good woman to sort him out, and Mary is one of Heyer's finest strong and principled heroines.
great fun July 18, 2008
yenners (uk)
i enjoyed this thoroughly! fast paced, funny, and full of colourful characters, it's Heyer at her best.
An absolutely amazaing heroine! May 31, 2008
Laetitia Grey (Oxford)
This is one of my favourite Heyer romances! The heroine, Mary Challoner, is simply delightful- definitely a rival to Elizabeth Bennet, with her wit, courage, level-headedness and independence. It is wonderful to see how she manages the fiery Vidal with tongue-in-cheek aplomb- at last a Heyeroine who outsmarts her hero! The story is stuffed with humour- from Mary preventing Vidal's seduction by her throwing up to the hilarious supporting cast of characters. You can easily see that Vidal is the son in personality as well as by birth of the Duke of Avon and his wife, Leonie (Of These Old Shades) . The Duke of Avon's suave response to the news of his son's scandalous exploits made me burst into laughter, while it's interesting to see that, while Mary may not have inherited her mother's dubious morals, she has her practical nature (they are both remarkably handy with jugs of water). Overall, I would definitely recommend this book as a must-read!
The less beautiful girl get's the boy - hurragh! March 6, 2007
Elizabeth Trigg (Lancs, UK)
5 out of 5 found this review helpful
In 'These Old Shades', Heyer wrote about a brave, but vulnerable heroine, Leonie, who needed a wordly-wise man to take care of her. This sequel has the same theme, except that the role of the sexes is reversed, and it is Leonie's son, also hampered by a fiery temper and impatient of convention, that needs a 'grown-up' to look after him. One reviewer has said that this is "no better than These Old Shades". Well, These Old Shades is not one of my favourites either, although I do like it. But this is a very different book, probably because it was written much later. The contrast between Dominic's spoilt, ungoverned temper and the prosaic common sense of Mary had me laughing all the way through it. And if you did enjoy "These Old Shades", then you will love the part which includes Justin Alistair, who has not improved with age! His reaction to a revelation which would terrify any normal parent, makes me chuckle just thinking about it.
Risk laughing out loud January 20, 2007
TR (uk)
20 out of 20 found this review helpful
I found Heyer in my teens, quite by chance, in two translation novels that transmited only a fraction of charm of her writing. The two novels were translations of "These Old Shades" and "Devil's Cub". The translator had clearly thought the job too challenging for such a lowly genre and approached Heyer's exquisite language simply by cutting it down. As the result the two books were half the lenght of the originals. Luckily the younger me was sufficiently charmed by the horrid, honestly self-centered Alistairs to earmark the name of the author. On my first trip to London I picked up "Friday's Child" and, despite the fact that the language was quite challenging for my GCSE-level English, I fell in love with Heyer's comedy, right there, on the first page, as the cliche-on-his-knee-proposal turns into an argument due to the childishnes of the two parties. I went on to read all Heyer's historicals in their original language and I credit Georgette with the fact that I went on to raise my GCSE exam result B to an A* in A-level English.
It was later, when I lived in London, that although I was busy and forgot all about Heyer, I encountered her again. Traveling on public transport I made a hobby of glancing at the titles of the books that other commuters were reading, blank faced and silent. Except not everyone was blank faced. Occasionally a rare reader would be smiling, and not just any old smile, but that deeply amused, slightly paralysed smile that you smile when you are alone in a public place and feel like laughing out loud but can't, because you fear everyone will think you insane. And what would these smilers invariably be reading? Well, I am sure that commuting readers smile at many books but my experience of these smiles has been amazingly uniform: every single has been on the face of a heyer reader.
So, what is this all to do with "Devil's Cub"? Well, I have just finished re-reading it, nearly 20 years after my first encounter with hot-headed Dominic Alistair, his cool Mary and the outrageously self-centered Alistair family. And that deeply amused, slightly paralysed smile was on my face for most of the journey. I was more able than ever to appreciate the nuances that Heyer weaves into her characters. This being an early-ish heyer, there is still plenty of action and plot twists but Heyer also convicingly paints characters that reflect their parentage, their individual upbringing, different values and temperaments. She also, very slyly, for the first time has her say about the subject everyone associates her regencys with: the theme of romance.
As in most(especially later)heyers, "Devil's Cub" is a game of two couples: the romantic and the mundane. But which one is which? Very cleverly Heyer differentiates between romantic attitudes and actions that are seen as "romantic". The characters caught in the "romantic" events cannot help but react in mundane ways - heroine herself becomes seasick when being abducted and proceeds to put a stop to the hero's seduction by throwing up. Through this, contrasted with the mundane, secondary couple that constantly wants to romanticise matters and thus completely messes up their relationship, Heyer expresses a coherent, and might I add, conventionally unromantic view on love and relationships. Also, through the character of Vidal she gently and affectionally laughs at the multitude of us that still find in him an ideal man and refuse to recognise -unlike his sensible Mary- that being married to an impetuous, spoiled, overgrown boy would be a full-time job, best left to ladies of nobility with very few other occupations.
It is true that Heyer inspired a whole genre of mostly vacuous, insipid women's romance literature but this can be also seen just as a happenstance. Vacuous and insipid Heyer is not - and never, ever uncritically romantic either.
So if you have bothered to read to the end of this (which maybe is more of a love letter Georgette Heyer's books than a book review) maybe you too are frustrated by the belittling of this superior entertainment. Or maybe you simply are looking for something to read. In either case, grab "Devil's Cub", hit the public transport and see if you laugh out loud.
|
