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Far from the Madding Crowd (Penguin Popular Classics) | 
 enlarge | Author: Thomas Hardy
Publisher: Penguin Classics
Category: Book
List Price: £2.00
Buy Used: £0.01
You Save: £1.99 (100%)
New (33) Used (180) from £0.01
Rating:  10 reviews
Sales Rank: 3118
Media: Paperback
Edition: New edition
Pages: 384
Shipping Weight (lbs): 0.5
Dimensions (in): 7.1 x 4.3 x 1.2
ISBN: 0140620478
EAN: 9780140620474
ASIN: 0140620478
Publication Date: March 31, 1994
Availability: Usually dispatched within 1-2 business days
Shipping: International shipping available
Condition: Book may have slight creasing or shelf wear but is in fab condition *** Uk seller. All orders despatched within two working days. ***
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| Customer Reviews: Read 5 more reviews...
 This book destroyed my faith in literature September 5, 2008
Tez (UK)
0 out of 1 found this review helpful
While I was at school I was required to read this book. Prior to reading this book I read at least 1 book a week, much of my free time was devoted to reading. This book is so terrible it managed to put me off reading for approximately two years.
I have wondered why this book is considered a "classic", and why it is required reading in schools. The only reason I can fathom is that people love his rambling descriptions of scenery. Most of this novel is devoted to this constant overblown description of scenery which is to the hideous detriment of the plot and character development in the novel.
The characters have less depth than the paper on which their trivial lives are chronicled on. The plot is extremely slow, because you have to wait for each tuft of grass to be described before the story moves on. The characters have no likeable qualities at all, and so you cannot even garner the merest sympathy for their plight.
His dialogue lacks wit, his story lacks substance. His use of language is well developed, however, I would point to a Mark Twain quote "Does he really think big emotions come from big words?". Use of language should be to the enhancement of a novel, I would suggest this is not the case in this work.
Thomas Hardy's rambling depth of description lends itself to poetry, which is an art form I feel he shows great ability in, but as a novelist I despise his work.
 Far From the Madding Crowd: Sensory Heaven! August 26, 2008
J. S. Lewison (Bolton, Lancs United Kingdom)
1 out of 1 found this review helpful
Reading this novel again in 36 degrees of heat in Tunisia was a delightful and slightly unusual experience! As I sat moderately baking in occasional shade, Bathsheba and Oak wrestled out their very pragmatic romance amidst the debris and lives of other characters whose impracticality and passion proves their undoing. The novel recommends survival through work and co-operation and this core value in the narrative far from being dull and tame compared to the heated, reckless drives of others,provides humour and finally healing. The scenes where Oak saves the gas ridden sheep and the stacks communicate Oak's consummate competence and care and Hardy 's sensory skills are marvellously suggestive and psychologically apt:
'He felt a zephyr curling about his cheek and turned.It was Bathsheba's breath - she had followed him, and was looking into the same chink.'
Far From The Madding Crowd is full of 'peeping tom' moments where characters watch each other through hedges,chinks and doors! This moment is beautifully laid out, the metaphor 'zephyr' registers the magic of Bathsheba's physicality...even more, her very breath, her life force enchants Oak. She is as special and magical to Oak as any legend from the Greeks. The simplicity of this shared watching explores their natural equality and the unconscious attraction of Bathsheba for Oak. How beautifully erotic is this scene and yet how it reveals their hesitancy and delay.
Hardy allows Bathsheba her eventual happiness which is rare indeed in the so-called 'great' novels, and he is also astute in granting Bathsheba autonomy in characterisation. She remains true to her perverse, challenging self and we do not see a shadowy, chastened figure at the end, though this Bathsheba has learnt about consequences!
' I have thought so much more of you since I fancied you did not want even to see me again.'
Human nature is perverse! This admission is fully in keeping Bathsheba's vanity and wilfulness. Yet is also reinforces the honesty and intimacy that has existed between them. Such intimacy elevates their relationship and makes their future marriage and happiness certain.
A final glimpse, simply because it is highly Impressionistic and tender and would not be out of keeping in a Katherine Mansfield story or a Monet painting:
'Ten minutes later, a large and smaller umbrella might have been seen moving from the same door, and through the mist along the road to the church.'
The tenderness of the ordinary here is palpable. Oak and Bathsheba are granted some privacy away from the speculative eye of reader and community and under their umbrelllas remains sanctuary and promise!
Wonderful!
for all southerners January 29, 2007
Rachel (England)
3 out of 6 found this review helpful
Most of my contempories fall roughly into 2 categories - northeners or southerners, and almost without exception I find the northerners prefer Bronte and the rest of us love Hardy. I am a big fan of Hardy - I grew up in "Wessex" and the description of the landscape is evocative of my home. (I know many find long descriptive passages dull, but stick with it and you will not be disappointed) Whilst I prefer "Tess" (tragic endings being my thing), this novel is so good I named my son "Gabriel" after Gabriel Oak. The characters are full of depth (something lacking in Dickins) and it provides a good snapshot of the time. It's a beautiful read.
 Good. November 19, 2005
A. Pitts (England.)
5 out of 6 found this review helpful
I liked this book. I read Tess of the D'Urbervilles and found it quite hard-going and long-winded, but I really enjoyed reading this. It takes a while for the story to get going, but I kept wanting to go back to it to find out what was going to happen next.
I'd recommend this to anyone, even if you haven't liked some of Hardy's other books.
Rich description and simmering action August 7, 2004
9 out of 10 found this review helpful
Hardy's first major success starts out with a plethora of rich, evocative description of the landscape the shepherd, Gabriel Oak, inhabits, such as "the dry leaves simmered and boiled in the desolate winds, a tongue of air sending them spinning across the grass", the trees "wailing and chaunting to each other in the regular antiphonies of a cathedral choir". Hardy is an excellent (and in my opinion unsurpassed) creator of atmosphere.Hardy evokes sympathy for Oak in his initial rejection by Bathsheba, giving the reader a sense of his vulnerability, with his initial description also describing how his face "had some relics of the boy", further suggesting vulnerability. However, Oak seems after this rejection to transform into a hero, becoming a character one does not so much relate to as idolize and respect. Hardy writes at the beginning that Oak's "hues and curves of youth" were "tarrying on to manhood", and we get a sense through his patience and humility, his helping Bathsheba with her dying sheep even after she had ousted him in a paroxysm of fury just before, he has achieved manhood, and that the abovementioned qualities are those of ideal masculinity, not the flashy extravagance of Troy or the wealth of Boldwood. Due to the construction of the plot, however, with Oak at the beginning thus being portrayed as the principal character, the end is rather predictable to the cynical reader. Towards the end, the beautiful description is completely dropped to allow pure action to ensue, with the idea that the pace is quickened thus exciting the reader, yet the ending, though dramatic, feels overly rushed nevertheless. But all in all, it was a very enjoyable read, with the atmospheric description of the landscape demonstrative of Hardy's poetic ability (which he was later to excercize fully, abandoning the novel form and progressing with verse in his last years) being the strong point of 'Far from the Madding Crowd'.
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