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1984 Nineteen Eighty-Four | 
 enlarge | Author: George Orwell
Creator: Ben Pimlott
Publisher: Penguin Classics
Category: Book
List Price: £8.99
Buy New: £3.50
You Save: £5.49 (61%)
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Rating:  40 reviews
Sales Rank: 167
Media: Paperback
Edition: New edition
Pages: 352
Shipping Weight (lbs): 0.6
Dimensions (in): 7.6 x 5 x 0.9
ISBN: 014118776X
Dewey Decimal Number: 813
EAN: 9780141187761
ASIN: 014118776X
Publication Date: January 29, 2004
Availability: Usually dispatched within 1-2 business days
Condition: Brand new paperback. In fine condition. SAME DAY POSTING ON MOST ITEMS.
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| Customer Reviews: Read 35 more reviews...
 Universally relevant September 12, 2008
J. Forster (UK)
It is tempting with the `wisdom' of the twentieth century to dismiss as irrelevant a book guilty of false prophecy. However the achievement of George Orwell's masterpiece is not to be found in the accuracies of his predictions, but in its warning about the danger of power unchecked and the lengths to which those in power will go in order to remain there.
We are presented with a vision of the future (now our past) in which the world is divided amongst the totalitarian superpowers of Oceania, Eurasia and Eastasia. Our story is set in a London controlled by `The Party' - who presence is felt by the ubiquitous Big Brother and its enforcement arm the Thought Police; told through the figure of Winston Smith: a lonely and silently dissident low-level member of the regime, who embarks on a prohibited sexual affair with a fellow party member, plots to work against `The Party' for an underground revolutionary movement called `The Brotherhood', only to discover he has been set up by Thought Police and is subsequently subjected to imprisonment, torture and eventually the destruction of his individuality.
The structure of the plot of Nineteen Eighty-Four is basically a series of pieced together clichés and most of the characters descend into caricature, but it is never intended as a character study or a work of great literary merit or storytelling; the merit of the work is found in Orwell's handling of the mechanics of totalitarian control. At no point does Orwell try to assess the character of such a state and how it develops, but his genius is found in the way he handles methods of political control and taking these to a fantastical extreme in order to present the terror of uninhibited state control. In fact the real ingenuity of Nineteen Eighty-Four lies in the political weapons Orwell attributes to `The Party': newspeak, Big Brother, thoughtcrime, doublethink and many others.
Moreover, Orwell is particularly adept at exposing the political lie and how governments use this to enslave its citizens. The concept of the mutability of the past, whereby the past is continually falsified through physical record and the practice of doublethink (which involves the power to hold in one's mind simultaneously two contradictory beliefs, and accepting both of them) in order to demonstrate the omnipotence of Big Brother and `the Party', executed with horrifying perfection by the regime is the highlight of Orwell's achievement. Here Orwell demonstrates to us the fragility of objective knowledge and the process by which governments could (and in some cases do) distort reality. The servitude the citizens of Oceania find themselves in is not physical in its nature (since very few things are physically prohibited), but a mental imprisonment (thought crime being the only culpable act, as one of Smith's fellow prisoners bluntly puts it in Part 3). Through the process of falsifying what is considered objective fact in conjunction with doublethink, the means of intellectual liberty are denied since the concepts we take as given and infallible such as truth, reason and justification can no longer be relied upon. During Winston's interrogation, O'Brien (`the Party' incarnate) says to him `it is intolerable to us that an erroneous thought should exist anywhere in the world, however secret and powerless it should be.' This appears to be the key point of Orwell's message, that freedom is attached to thought and absolute freedom is the freedom to be incorrect.
Orwell rams this point home even further in the concept of Newspeak. This is a language devised by `the Party' that reduces all speech to simple monosyllabic words or short combinations of these. Whereas in the language we use a particular concept may be covered by any number of words (e.g. the concept of good is covered in English by seemingly limitless adjectives), the aim of the creators of Newspeak is to reduce concepts to single words that contain both its affirmative and negative and therefore removing the need for antonyms for one (e.g. the word good, an affirmative, becomes an negative with the affix `un', so the opposite of `good' becomes `ungood' therefore removing the need for `bad' and its various synonyms). The mechanics of the new language are too complicated to discuss at length here (and the novel has as an appendix a short essay on Newspeak) but the idea Orwell entertains in this concept is that if thought is in some sense dependent on language (certainly the two coexist, although the relationship is unlikely to be one of dependence), then by reducing the capacity of language then the capacity of thought, or free thought, itself is curtailed. If language is simplified according to ideology and the means to express certain concepts such as freedom, justice, truth and love are removed, then, Orwell reasons, these concepts disappear altogether. Newspeak, then, is the ultimate weapon against human intellectualism and the liberty of the individual.
Orwell's message is a dramatic one, a warning against all kinds of power: it provides us with reasons to be suspicious of any regime and politician that seeks power and disguises its real aspirations behind propaganda and claims to be serving the greater good. As O'Brien tells us `The Party' seeks power not as a means, but as an end: `One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship...The object of power is power.' The danger and future as Orwell saw it as summed up by O'Brien is: `If you want to imagine a picture of the future, imagine a boot stamping on a human face - for ever.'
It is this resonant and rallying cry in favour of maximal personal liberty and the curbing of political power, in spite of it lacking the subtlety of Kafka's The Trial or the penetrating wit of Huxley's Brave New World, which will make Nineteen Eighty-Four a book of universal appeal and significance for many generations still to come.
 A complex, haunting masterpiece August 29, 2008
lexo1941 (Dublin, Ireland)
The first thing to remember about '1984' is that Orwell wasn't trying to predict what life would be like in 1984, or even in 2008. If the book is any good, it's not because it's an accurate picture of life as we know it. It is, however, a pretty faithful depiction of life in a totalitarian society; little happens in the book that didn't really happen in Germany between 1933 and 1945, or in many of the Eastern bloc countries between 1917 and 1989.
The second thing to remember is that Orwell was not against socialism. He described himself as a believer in "democratic socialism", and he was one, which is something that socialists who don't believe in democracy but in party discipline have never forgiven him for to this day. The horror of '1984' is not the horror of life in a socialist society; Orwell was a supporter, albeit a wary one, of Britain's post-war Labour government. The book is about life in a society which is entirely politicised - where there is nothing that doesn't relate to the political ends of the administration. There have been such societies, they still exist (hello, North Korea) and what Orwell was suggesting is that our own could become one too, if we aren't careful.
Winston Smith is not a mouthpiece for Orwell. Winston is more sentimental, more naive and more bourgeois than Orwell, or at least than the 'Orwell' persona (Orwell the man is not always to be identified with the persona he adopted as a non-fiction writer). '1984' is not a straightforward novel about two sensitive people in an uncaring world, and nor does it suggest that a totalitarian society is just a matter of a lot of CCTV cameras. It is deeper, darker and weirder than that. Simple-minded right-wingers have claimed that the book is an attack on socialism as such, but that's obviously wrong. Authoritarian left-wingers are enraged by the book's distrust of revolutionary shibboleths. It will go on being read as long as it seems to say something to us about the kinds of government we most fear and hate.
Worth a look August 5, 2008
Lewis (Wishaw, Scotland)
Its amazing this book was wrote in the forties. Its very modern and alot of what George Orwell wrote come true, very worrying. Maybe not his best work, still a classic though. Sixty years later and 1984 is still going strong. He has, in my opinion wrote better books but I would definitely recommend this book. Orwell's last masterpiece.
The greatest dytopian novel? Certainly the most influential. August 4, 2008
Adrian
The book that gave us 'Orwellian', 'Room 101' and 'Big Brother', but it gave us so much more.
Orwell's final and greatest novel is a wonderful combination of important ideas expressed in simple language. It is an easy read and can be read in a short time, but will remain with you long afterwards. It challenges you to review how you interact with society and most importantly the state.
One of the major themes that is often overlooked is that which examines why we are good or bad. Is it because we want to be good or is it that we are afraid of punishment if we are bad.
Another interesting theme is the use and abuse of language, Orwell believed that the very language one uses influences how one thinks. He examines how, by the restriction of language, the state can restrict ideas.
Of course Orwell wrote the novel as an examination of one possible future and it is both fun and frightening to compare his predictions with the course history has taken. Indeed, whole passages can leave you thinking "My God, he was right."
Is it relevant today? June 26, 2008
Mr. S. M. B. Ayres (Ipswich, UK)
I read this book having been unable to ignore the hype surrounding it. As with anything like this you usually stand to be dissapointed, but I was pleasantly surprised at how the book fitted my expectations very well.
The story is slightly sketchy in some places but this is the beauty of it - it keeps a good pace and concentrates on the authors suggestions of possible government structure in 1984 rather than centralising on the characters too much.
Where the characters are heavily detailed, this is to help create a tangible picture of the points the author is trying to make.
The words in our everyday use which originated from this book are taken for granted by us i.e. "Big Brother", "Room 101", And the author paints a powerful picture of their meaning.
Whilst writing this book in the 1940's, George Orwell obviously tried to predict the kind of technology we would be using by 1984 - and this must have seemed a world away for him. However, by 1984 the technology he had spoken of was easily possible and currently is far surpassed.
The overall setting of the story seems (at points) impossible to comprehend, but when you break down each part of Oceanic society and the circumstances that created it, it is generally easy to see "some" similarity with our own situation in the 21st century.
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