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Notes on Shelley's "Frankenstein" (Cliffs Notes) | 
enlarge | Author: Jeff Coghill Publisher: John Wiley & Sons Category: Book
List Price: £4.50 Buy New: £0.71 You Save: £3.79 (84%)
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Rating: 2 reviews Sales Rank: 136268
Media: Paperback Edition: New Ed Pages: 100 Number Of Items: 1 Shipping Weight (lbs): 0.3 Dimensions (in): 8.1 x 5 x 0.2
ISBN: 0764585932 Dewey Decimal Number: 823.7 UPC: 785555026360 EAN: 9780764585937 ASIN: 0764585932
Publication Date: June 19, 2000 Availability: Usually dispatched within 1-2 business days Shipping: International shipping available Condition: BRAND NEW - ***Delivery usually * 4 - 5 * working days - From Aphrohead of SOUTHPORT, Lancs, UK *** . Priority Airmail used Worldwide on International orders. Thanks from all at Aphrohead.
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Understanding "Frankenstein" as Romantic/Gothic Novel July 25, 2004 Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) 5 out of 5 found this review helpful
This review is of Samuel Umland's Cliffs Notes for Mary Wollstonecraft Shelley's novel "Frankenstein." Although the idea of man trying to act like God goes all the way back to the Tower of Babel and is represented in by such diverse stories as the real sinking of the Titanic and fictional world of "Jurassic Park", "Frankenstein" represents the paradigm shift to the importance of science. As such, Shelley creates the Frankenstein myth, which replaces that of Faust. Umland's notes begin with a brief life of the authoress, whose monumental work surely eclipsed her life, along with a general plot summary and a list of characters. The Critical Commentaries section combines the summary and analyses, but it tends towards the summary side of the equation. Umland saves the best analysis for the volume's final section of essays. "Mary Shelley and Romanticism" looks at the novel as representative of the movement in terms of intuition and emotion, setting and time, characterization and verisimilitude, and subject matter. "The Gothic Story" looks at "Frankenstein" as a horror story, offering some comparisons to Bram Stoker's "Dracula." What I like most about Umland's Cliffs Notes is that he takes into account the film versions of Shelley's novel. The great irony is that the idea of Frankenstein overwhelms the actual novel. Umland looks at "The American Horror Film and the Influence of German Expressionism" and provides a detailed list of the films that influenced James Whale's 1931 film version, such as "The Cabinet of Dr. Caligari" and "The Golem," followed by a Selected Filmography of Frankenstein that dates from Edison's 1910 version to the present. Both of Whale's classic films, "Frankenstein" and "The Bride of Frankenstein" are short enough to be screened in a couple of class periods. "Frankenstein" is particularly well suited to discussion and papers dealing with comparisons/contrasts between the two versions. Umland does that offer much analytical criticism of these films in light of his analysis of the novel, but most students will be able to make the connections for themselves.
Useful April 11, 2003 S. J. Howard (Newcastle, UK) 4 out of 4 found this review helpful
I used this e-book when studying A-Level English, and found it fairly helpful. However, the e-book versions of York Notes have tended to serve me better over the course, because they have more content and more relevance to UK student compared to the American CliffsNotes.
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