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Jazz

Jazz

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Author: Toni Morrison
Publisher: Vintage
Category: Book

List Price: £7.99
Buy New: £2.97
You Save: £5.02 (63%)



New (27) Used (6) from £0.80

Rating: 4.0 out of 5 stars 5 reviews
Sales Rank: 16453

Media: Paperback
Edition: New edition
Pages: 240
Shipping Weight (lbs): 0.4
Dimensions (in): 7.8 x 5 x 0.7

ISBN: 0099750910
Dewey Decimal Number: 813
EAN: 9780099750918
ASIN: 0099750910

Publication Date: December 6, 2001
Availability: Usually dispatched within 1-2 business days
Shipping: International shipping available
Condition: BRAND NEW - ***Delivery usually * 2 - 3 * working days - From Aphrohead of SOUTHPORT, Lancs, UK *** . Priority Airmail used Worldwide on International orders. Thanks from all at Aphrohead.

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Customer Reviews:

4 out of 5 stars That's the kick   October 3, 2008
T. Parmar (London)
I had to read this for A Level English and at first I found it almost impossible to get into. A lot of it tends to go over your head but as you keep reading and get to the end, something just clicks and at the last 3/4 of the last chapter, you honestly believe it's a masterpiece. Upon several rereadings of the book, I found I understood more of it and it's just wonderful. Especially the last paragraph.


1 out of 5 stars Stay away from this over-rated stream of consciousness rubbish   August 4, 2008
Mr. D. C. Hayes
1 out of 2 found this review helpful

I like an original and unique book as much as the next man, but this is just plain awful. I can't stand the way it is written, the characters names, the ridiculously dull story (which gets even worse when you have to endure the characters' past as well) and to top it off this has somehow won the nobel prize for literature. Clearly the people who voted had never actually bothered to read the book.
I have the unfortunate task of doing my english literature coursework on this next year but if you have the choice of not reading this, stay well away!
If you have to read a Morrison book, Beloved was marginally more readable, with Paul D the only remotely interesting character.



5 out of 5 stars Spanning the Transition from Slavery to the Freedom of Jazz   July 9, 2004
Donald Mitchell (Boston)
20 out of 21 found this review helpful

For many African-Americans, the period from 1860 through 1930 was a particularly challenging one. The formal slavery of the South transitioned into a vulnerable rural economic existence, dependent on the weather and the price of crops. The promise of the city lured many to leave their homes, and adopt city life-styles that put new social pressures on them and their relationships. Jazz tells this story through the microcosm of one marriage, that of Joe and Violet Trace.

Unlike many books about marriage, this one is a love story. Although it bears no relationship to any romance novel you have ever read, it reveals the way that the need for love develops from within each of us and allows us to grasp its potential when we respond to the yearnings of those we care about.

Music was important in the lives of many people during those years. Churches and music halls vied for the attention of most people in the cities. Jazz was a new influence, bursting on the scene with a combination of extreme freedom and mutual respect for the other players. In this book, jazz is represented both as a symbol of freedom and as a source of base impulses that can lead people astray. Ms. Morrison also pays homage to jazz by building her narrative around the individual stories of those involved taken in solitary order, much like the solos in a jazz piece. The narratives all weave together, but you have to hear the whole piece to understand how. Be patient with what seem like digressions. They are really transitions into new perspectives, like when a horn does a riff before returning to the theme.

You also get the metaphor of jazz used in the relationship of the two Traces. They were originally in rhythm with each other, then fell out of rhythm, and then regained their ability to improvise together. It's very nicely done!

To me, the best part of the book was that Ms. Morrison does not permit her characters to fall back on misfortune, fate, and heredity as excuses for misbehavior. Clearly, those factors affect us, but we all have the potential to rise above them. We need only open our eyes and start responding to those closest to us. Then, we can build a better life together.

The family background of the two Traces is a rich tapestry as well of the social history of African-Americans during this period. Ms. Morrison's imagination is quite remarkable in the variety and vividness of these characters!

For those who are interested in understanding more about the roots of the Jazz Age, this book will also be very appealing.

After you have finished thinking about the lessons of Jazz, you should consider where you display the good characteristics of a jazz player . . . and where you do not.

Feel the rhythm around you!


4 out of 5 stars Symphonic lyricism   November 13, 2002
Earl Hazell (New York)
9 out of 11 found this review helpful

As a child of fine artists and a classical and jazz musician, I had no idea or understanding as to why many of the churches- from the turn of the century to almost the present day in many areas- consistently referred to jazz as the devil's music, or dangerously secular, until after reading this book. Toni Morrison becomes the metaphor herself, along with her invented characters, as a story of love and passion, anger and rage, sorrow and grief, hunger and lonliness, acknowledgement, and quiet, earhty epiphany unfolds as uncontrollably as the tides,with all the simple complexity of a jazz riff- and with as much freedom from judgement. Toni Morrison's descriptive powers sweeping across the landscape of history and the landscape of the individual character's lives is frightening in its ability to overwhelm. She brings out the raw, triumphant humaness of each character with such lyricism and painful joy. The novel can at times feel like a giant denoument, yet its slowly building climaxes are what make it more than readable; they make it exciting, sublimely predictable and unpredictable simultameuosly. It almost makes one understand better why the story of Christ is called a "Passion"; passion, as exemplified in this novel, is not just a sexy or damaging thing, but also the way to come to know God.

There are small pars of the novel that are a bit too detailed in the rendering of lesser character's lives. Yet her rendering of the time period- Harlem in the 20's, and the community is incredible. This is more, or different, than a novel. It is an epic poem- an epic jazz poem that has you hearing the music as it mildly, painfully, poignantly and triumphantly ends. Toni will not let you down with this one.


5 out of 5 stars great book   September 27, 2002
5 out of 6 found this review helpful

The book is rhythmically excellent, its narritive entwining the stories of the characters as effortlessy as Jazz music entwines chords.
Toni Morrisons voice trancends colour and creed and has become one of the greatest writers in America.
Each character and therefore, each story, is haunted by a tragic past, one which they must face and overcome before it overcomes them.
the book is haunting and remains with you even after you have finished reading.
what more can be said - simply eloquence.


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