The Curse Of Frankenstein [1957] | ![The Curse Of Frankenstein [1957]](http://ecx.images-amazon.com/images/I/512A18JRJGL._SL160_.jpg)
 enlarge | Director: Terence Fisher
Actors: Peter Cushing, Christopher Lee, Robert Urquhart, Hazel Court
Studio: Warner Home Video
Category: DVD
Buy New: £59.90
New (1) Used (2) from £19.00
Rating:  2 reviews
Sales Rank: 53867
Format: Pal
Language: English (Original Language)
Rating: Suitable for 12 years and over
Region: 2
Number Of Items: 1
Running Time: 79 Minutes
Shipping Weight (lbs): 0.3
Dimensions (in): 7.3 x 5.4 x 0.6
EAN: 7321900110662
ASIN: B0002VF5KM
Theatrical Release Date: 1957
Release Date: October 11, 2004
Availability: Usually dispatched within 1-2 business days
Shipping: International shipping available
Condition: Brandnew and factory sealed, genuine UK Region 2 release exactly as pictured by amazon, in stock and ready for dispatch!
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| Customer Reviews:
THE FIRST FILM OUT OF THE BRILLIANT HAMMER HORROR LEGACY August 7, 2007
stuart (MIDDLESBROUGH, ENGLAND)
2 out of 2 found this review helpful
It's very difficult for me to judge if my opinion on The Curse of Frankenstein would be higher if I were to watch it coming from a different background/history. This latest viewing I believe is only the second time that I've seen Curse recently and that is why I can remember it. In the meantime, I've watched at least a few times, with relatively recent viewings, everything from Universal's 1931 Frankenstein (as well as their 1935 Bride of Frankenstein and other films in the Frankenstein genre)
So I'm coming back to Curse almost as if I'm seeing it for the first time, while already having those films mentioned above as favorites for different aspects of the Frankenstein story, such as atmosphere, visceralness, humor, grandiosity, campiness, and so on. In fact, a number of those films are favorites of all time, period. For me, then, Curse had tough competition on this viewing, and without doing something significantly different with the story, it might fall short.
What Curse probably does better than all of the other Frankenstein films that I've seen is relationship dynamics. At the moment, I'd call Curse the "soap opera" version of the story, which is not really meant as a knock. Here, Victor Frankenstein has lost his father at a very young age--he became Baron at the age of five. The film begins by showing the power and control this young man has over others. He contracts to have a tutor come teach him about science, and together, they begin exploring the scientific basis of life--the "life force" more specifically, which leads to the usual Frankenstein plot elements.
At the same time, however, the focus remains on relationships. We have a complex tutor/student, master/employee, genius/follower relationship between Victor (Peter Cushing) and Paul Krempe (Robert Urquhart), his teacher. Victor is engaged to be married--it's an arranged marriage--to Elizabeth (Hazel Court), his cousin, yet he's in at least a lustful relationship with a housekeeper, Justine (Valerie Gaunt). At the same time, Paul seems to have fallen in love with Elizabeth, and it's ambiguous to what extent she may feel the same towards him. The actual "curse" here seems to be one of difficult/dysfunctional relationships, where everyone is involved in complex power struggles with almost everyone else, and no one quite comes out victorious (ironically enough). All of this stuff is pretty good, if appropriately staid for the Victorian setting (hmmmm . . . lots of occurrences of "victor--"). On the down side, some of the cinematography/lighting veers towards a soap opera look, which doesn't do much for me.
A lot of the usual Frankenstein themes are here, too, but sometimes they almost feel like an afterthought. Christopher Lee, who plays the Frankenstein monster, is severely underused. He remains more in the background throughout the film.
Still, lots of the usual Frankenstein film stuff is done well, if a bit subtly. Keeping the monster's body half immersed in fluid was a good idea--there's a creepiness just to the way it looks and it is also unsettling because you wonder why it's only half-submerged. It seems if it needs to be submerged, the whole body should be, so from the beginning of the experiments, it feels more strongly like something is off about Victor. The more visceral body part scenes (like acquiring the hands and eyes) work very well, especially in context, and Lee's make-up was well done, including the fact that he more strongly suggests both a mummy (because of the bandages) and a zombie--the Frankenstein monster should rightly suggest both. Also, the acting is very good throughout--particularly Cushing's performance.
But for me, as good as Curse is, it pales in comparison to its Frankenstein brethren. It's good, but other films do the various aspects better, except maybe for the relationship stuff, but for me, that's not enough to elevate Curse to the same echelon as many of those other films.
A perfect introduction to Hammer Horror February 6, 2007
Matthew Mercy (Wigan, England)
5 out of 5 found this review helpful
Hammer's initial gothic horror film, and though by no means the best movie the company produced, it is a perfect introduction to the work of director Terence Fisher and actors Peter Cushing and Christopher Lee, here working together on the first of their six collaborations. After several years as one of the top actors in the BBC, Cushing's performance as the effete, super-intelligent sociopath Baron Victor Frankenstein was his first leading role in a movie, and it tied him to the horror genre, virtually for the rest of his career. In his one and only appearance as the Creature, Lee is also effective, portraying a brain-damaged abomination full of frustration and hatred with skill. Though not as assured as in some of his later films, Fisher's direction is suitably bold, and the talent that would later become known as the Hammer `house team' (Asher, Robinson, Bernard) all contribute impressive work.
Like the other Warner releases of Hammer films, this edition of The Curse of Frankenstein does not boast a particularly juicy selection of extras, which is both odd and frustrating since it is a well-known and important film that ushered an entirely new breed of horror movie into the cinema. One can't imagine, for example, movies with similar legacies, such as The Exorcist, or Halloween, being released on this kind of vanilla edition; nor do I expect their fans would put up with it. Like the Warner release of the superior Horror of Dracula, this DVD does contain a restored trailer, and a very limited cast and crew rundown, but that's about it. Of course, there is a ton of information on this movie available in a dozen different books should anyone require it, but surely it wouldn't have been too much to ask to get Christopher Lee (and screenwriter Jimmy Sangster perhaps) to do a commentary for this DVD; if DD Video can get Lee to record one for something far less important, like the mediocre sci-fi flick Night of the Big Heat, I'm sure Warner Bros. can do the same.
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