Genevieve -- Special Edition [1953] | ![Genevieve -- Special Edition [1953]](http://ecx.images-amazon.com/images/I/51VF0AN83GL._SL160_.jpg)
 enlarge | Director: Henry Cornelius
Actors: Dinah Sheridan, John Gregson, Kay Kendall, Kenneth More, Geoffrey Keen
Studio: ITV DVD
Category: DVD
List Price: £15.99
Buy New: £3.97
You Save: £12.02 (75%)
New (12) Used (6) from £3.95
Rating:  9 reviews
Sales Rank: 3105
Format: Full Screen, Pal, Special Edition
Language: English (Original Language)
Rating: Universal, suitable for all
Region: 2
Discs: 1
Aspect Ratio: 1.33:1
Number Of Items: 1
Running Time: 110 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
EAN: 5037115016430
ASIN: B00005OCV2
Theatrical Release Date: February 15, 1954
Release Date: November 12, 2001
Availability: Usually dispatched within 1-2 business days
Condition: Brand New and Fully Guaranteed - Over 90% of orders are dispatched same day or next day by First Class post. Please note Danish customers may incur custom charges.
| |
| Similar Items:
|
| Editorial Reviews:
Amazon.co.uk Review
For anyone who travels the congested roads of Britain these days the utterly delightful Genevieve will provoke a wistful, nostalgic sigh of regret for times gone by when there were no motorways, traffic jams were almost non-existent and friendly police motorcyclists riding classic Nortons (without helmets) cheerfully let people driving vintage cars race each other along country lanes. Even in 1953, Henry Cornelius' gentle comedy must have seemed pleasingly old-fashioned, concerned as it is with the antics of two obsessive enthusiasts on the annual London to Brighton classic car rally. The principal quartet could hardly be bettered: though John Gregson is something of a cold fish as Genevieve's proud owner, the radiant warmth of Dinah Sheridan as his long-suffering wife more than compensates. Kenneth More is ideally cast in the role of boastful rival enthusiast and Kay Kendall has possibly the best comic moment of all when she astonishes everyone with her drunken trumpet playing. Cornelius also directed Ealing's Passport to Pimlico, so his sure eye for gently mocking and celebrating British eccentricities is never in doubt. The screenplay by (American writer) William Rose now seems like an elegy to a way of life long disappeared: the pivotal moment when Gregson stops to humour a passing old buffer about his love of classic cars comes from a vanished era of politeness before road rage; as does the priceless exchange between hotel owner Joyce Grenfell and her aged resident: "No one's ever complained before", says the mystified Grenfell after Gregson and Sheridan moan about the facilities, "Are they Americans?" asks the old lady, unable to conceive that anyone British could say such things. Genevieve is both a wonderful period comedy and a nostalgic portrait of England the way it used to be. On the DVD: the "Special Edition" version of Genevieve has a decent new documentary with reminiscences from Dinah Sheridan (still radiant), the director of photography and the film's editor, who talk about the challenges of filming on location. Most treasurable of all, though, is legendary harmonica player Larry Adler, who remembers his distinctive score with much fondness and is not at all embittered by his Hollywood blacklisting, which meant he was denied an Academy Award nomination. There's also a short piece on some of the locations used (which for economic reasons were mostly in the lanes around Pinewood studios), cast biographies and a gallery of stills. The 4:3 ratio colour picture looks pretty good for its age and the mono sound is adequate. --Mark Walker
|
| Customer Reviews: Read 4 more reviews...
 A classic British comedy with four classy British actors and a 1904 Darrocq roadster March 10, 2008
C. O. DeRiemer (San Antonio, Texas, USA)
1 out of 1 found this review helpful
Lust, jealousy, ruthless conniving...and that's for starters. No, this isn't a Lana Turner and John Garfield film. This is Genevieve, one of the greatest of the classic English comedies from the late Forties and early Fifties. The movie is witty, warming and, above all else, funny.
Genevieve is a 1904 Darrocq roadster, driven by the ordinarily levelheaded young barrister, Alan McKim (John Gregson), on the London to Brighton and back annual antique car rally. By his side is his indulgent and sometimes exasperated wife, Wendy (Dinah Sheridan). Joining him in a 1904 Stryker is Alan's best friend, the irrepressible Ambrose Claverhouse (Kenneth More). Joining Ambrose is the beautiful creature he hopes to have an emotional experience with overnight in Brighton, the elegant and slightly off-center Rosalind Peters (Kay Kendall). Stuffed in the Stryker's small back seat is Suzy, Rosalind's Saint Bernard. And off they go, the cars snorting and puffing, wheezing and sometimes breaking down. We have a chance to see how much the annual rally and Genevieve mean to Alan and how much Wendy, who'd rather be at a party that evening, loves him. We learn what a loud and funny man Ambrose can be, and how just below the surface is a competitive streak just waiting to break free. And we see what a beautiful creature the long-legged and fey Rosalind is, and that she just might be Ambrose's match. Says Rosalind to Wendy, "Ambrose only seems to think about two things. That silly old car - and the other thing." Says Wendy to Rosalind, "What other thing? Oh. My husband only thinks about the car."
The four reach Brighton and enough things happen to them to keep us smiling. But then a little misunderstanding leads to a 100 pound bet as to who will get back to London and cross the Westminster Bridge finish line first. What had been a friendly run turns into a cutthroat competition. Ambrose comes into his own...and nice guy Alan matches him. It's not too long before Wendy and Rosalind, who at first thought the men were behaving like boys, join them in the thrill of the race. It's nip and tuck all the way, with stratagems, close calls and some truly ruthless plotting. It's great.
Among the many reasons for this movie's charm and success are the four actors. Sheridan is an expert actress and light comedienne, likable and believable. Gregson is stolid but equally likable. They make a nice couple. Almost blowing them away, however, are Kenneth More and Kay Kendall. More had been the confident, energetic bit player or second lead for years. Kendall, with her looks, style and way with words had been slowly inching up the star ladder. With this movie and the following year's Doctor in the House, they both made it to the top. More was a much more versatile and subtle actor than his movie persona might have you believe. Ambrose Claverhouse may be loud and confident, he might even be just a bit of a bully, and he certainly has a victory laugh that will drive you crazy, but More is able with all this to make the guy funny and even appealing. We feel rather sorry for Ambrose when his emotional experience with Rosalind is not to be. Kendall simply was one of a kind...so elegant, so funny, so off the wall. When, tipsy on the champagne Ambrose has been giving her while the four of them dine, Rosalind decides to play the trumpet, Kendall is so funny you'll want to watch the scene again. Kendall has to set up the character at the table. She has to sound a little slurred. She has to walk carefully to the bandstand. She has to mime playing the trumpet, first slowly and sweet and then swinging, and she has to pass out back in her chair. Kendall does all this with exquisite timing and style. She's so funny because she knows not to try for a moment to be funny. Kendall didn't have much time at the top. She died six years later at 33 of leukemia.
Not the least of Genevieve's charms is the jaunty, quirky music for the film composed and played by Larry Adler, perhaps the best harmonica player ever. Adler was one of those great American artists who were blacklisted because he wouldn't knuckle under to the vogue for self-abasing testimony before Congressional committees about his political beliefs. Unable to find much work in America he moved to Britain and started over. When Genevieve was released in the United States, his name was removed on the credits as the composer and another name substituted. When the music won an Academy Award, there was no mention of Larry Adler. It took years before the Oscar organization rectified this. Adler decided to stay where he was, in Britain. He kept his citizenship but only returned to the States later for concert or composing gigs.
Genevieve looks fine but the movie deserves a first-class restoration treatment. The listed run time of 110 minutes includes a 25-minute documentary about the making of the movie titled A Profile of Genevieve.
 Great cameos too December 4, 2007
Mr. Stephen D. Wassell (Norfolk, England)
1 out of 1 found this review helpful
Genevieve is a wonderfully crafted film you never tire of seeing(and I have been watching it for the past 40 years at least)and which has great performances from its quartet of stars. In addition,there are some highly humorous cameos in it which often get overlooked. Joyce Grenfell's terribly genteel hotel owner "nobody's ever complained before", Michael Medwin as a harrassed father-to-be, Reginald Beckwith - who does a good turn and get booted for his trouble - "what will I tell my wife?" - they all add so much to what is truly a memorable film. Get it.
Totally irresistible British Classic January 28, 2006
pointone (Bournemouth UK)
10 out of 10 found this review helpful
This film about the London to Brighton veteran car run and the rivalry between Ambrose Claverhouse (Moore), Alan McKim (Gregson) and their respective ladies Rosalind Peters (Kendall) and Wendy McKim (Sheridan) is one of the great British Classics, so bound up with our national eccentricities it is possibly incomprehensible anywhere else. The fine comic acting full of high spirits enraptures one from the very beginning, and soon the cars become characters in the headlong race to the coast. Enormously enjoyable one is left with two enduring memories, first Larry Adler’s haunting theme, but even more for Kay Kendall and her unforgettable performance personally playing the trumpet whilst supposedly drunk in a night club in Brighton. Whenever one thinks of Kay one thinks of this scene, but this vivacious young actress made other fine films before her early death from leukaemia aged 33, check out “Blythe Spirit” with Rex Harrison. Incredibly the Rank organisation considered the film a total failure unsuitable for release, and it only found its way onto a commercial screen as a substitute for another film that was unavailable. After that all is history as they say. The indifferent quality of the photography cannot be blamed on the digital remastering, it was always there as the director insisted on shooting regardless.
Genevieve September 7, 2004
Martin L. Saunders (Australia)
14 out of 14 found this review helpful
If you like English humour and actors who are excellent at their craft, then you can't go past 'Genevieve'. Comedy and a little bit of ongoing English 'history' is a great mix. John Gregson and Kenneth More battle it out on the road in the London to Brighton rally much to the bemusement of their lady partners.Kay Kendall's trumpet solo is a laugh and the tricks that John and Kenneth get up to are delightful. A true taste of English comedy and theater from an age when life was a little less complicated and thoroughly genuine. I highly recommend this film to all, but have one criticism ...... the film re-mastering was a little disappointing..... but not enough to put you off a truly wonderful film
Everything! May 16, 2004
Mr. Graham R. Dudley (United Kingdom)
7 out of 7 found this review helpful
It is difficult to find words to describe this charming, witty and entertaining film. The cast is impeccable, the directing inspirational and the story so charming! Watch the special features, to find out more about the film; it is well worth it. Take yourself back to better times and climb aboard Genevieve, for a run to Brighton you'll never forget!
|
|
|
