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Oscar Wilde's Lady Windermere's Fan [1916]

Oscar Wilde's Lady Windermere's Fan [1916]

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Director: Fred Paul
Actors: Milton Rosmer, Nigel Playfair, Arthur Wontner
Studio: Bfi Video
Category: Video

Buy New: £23.95



New (2) Used (2) from £23.94

Sales Rank: 22555

Format: Black & White, Pal, Silent
Rating: Exempt
Media: VHS Tape
Discs: 1
Number Of Items: 1
Running Time: 65 Minutes
Shipping Weight (lbs): 0.4
Dimensions (in): 7.3 x 4.2 x 1.1

EAN: 5035673000830
ASIN: B00005ATG3

Theatrical Release Date: 1916
Release Date: April 23, 2001
Availability: Usually dispatched within 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: sealed will post 1st class recorded if in the uk,bfi small box release

Editorial Reviews:

Amazon.co.uk Review
Turning Oscar Wilde's epigram-laden plays into silent movies was never going to be the easiest of tasks. This 1916 version of Lady Windermere's Fan, one of the earliest Wilde films, tackles the dilemma by the drastic expedient of chucking out all the wit and keeping the melodrama. The action revolves around that favourite figure of the Victorian stage, The Guilty Mother Who Must Atone, and the script reworks the action of Wilde's play to shift our sympathies, right from the first, to the side of the errant mother in question, Mrs Erlynne.

Direction is by Fred Paul, a now forgotten figure, though he was well known as an actor and director in the silent era. As an actor, he was famous for playing clean-cut heroes such as Nayland Smith, intrepid nemesis of the villainous Dr Fu Manchu. His direction of Lady Windermere's Fan is stolid and unadventurous. Essentially he shoots it as theatre, the camera taking up a fixed frontal position from which it rarely budges. The acting is mostly in keeping with Paul's approach--the cast give very much the same performances they must have perfected on the West End stage. The liveliest scene, oddly enough, takes place at a dog show (a venue that plays no part in Wilde's original), where Paul favours the dogs with a lot more close-ups than he ever grants to his actors.

This print is the version distributed in the USA by DW Griffith's Triangle company, and a few clumsy cuts early on may be the result of US censorship. Nicholas Brown's music, specially commissioned for this release, is scored for piano trio, and neatly captures the edgy, genteel flavour of the period. --Philip Kemp

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